A mockumentary about a small-town man who is abducted by aliens, meets a group of fellow abductees, leads a daring escape back to Earth, and in the process finds purpose, community, and love.

A group of very different people set sail on an old warship. The passengers include a senator with his son, a newly-wed couple, a mysterious old man, a group of sex workers and a gang of violent criminals. At first the aggressive behaviour of the thugs and their leader is directed at the first class passengers, but then more and more indiscriminately against the rest of those on board. Rape is followed by murder and it’s not long before the first of numerous and increasingly brutal mutinies takes place.

Anywhen In a Time Colored Space is a continuation of Philippe Parreno's Anywhen, filmed by renowned Iranian-French cinematographer Darius Khondji and featuring the voice of Nina Conti, actor, comedienne and ventriloquist. Performing the artist’s own writing integrated with fragments of James Joyce, the amalgamation of words read by Conti makes explicit Parreno’s interest in artificial, digital, and organic matter, and particularly how these forms of life communicate. The film is comprised of long sequences of a live cuttlefish (Sepia Oficinalis — a Mediterranean species of cephalopod) that can change the surface of its body—responding to outside forces such as light, sound and vibration, seemingly projecting the thoughts contained in the monologue. Much of the film focuses on the cuttlefish, which Parreno first kept in a tank in his studio.

A new perspective. At the dawn of a new space race, the personal stories of those who led us here offer a unique insight into our changing world - and where we are headed. 　　[EPISODES] 　　America First 　　The Russian Thing 　　Politics Always Wins 　　Friends Forever

When a duffel bag explodes into existence over the Nevada desert, Dyson Wheeler - set to be hanged - seizes his chance at escape, killing his captor with the shovel he was just using to dig his own grave. Thus begins Wheeler's mission to avenge the death of his beloved wife Rachel, and in the process, create our particular pocket of space-time, The Future That Matters To Us. The Lord of All Future Space and Time is a classic western tale of revenge interrupted by sci-fi hijinks. Purposefully and joyfully heavy on narration - in the style of early Coen Brothers or somewhere between Goodfellas and Amelie - it's a tall tale in a short film, a fast-paced comedy asking the big questions about time, grief, love and the meaning of life itself.

Child prodigy Lucen enlists his best friend Brian to build a time machine in a foolhardy attempt to escape his distant father and connect with the mother he never knew.

连恩‧莱在人生最后一年完成了《太空中的粒子》，延续他对“直接拍摄”手法的实验，即不借助摄影机来制作录像，而是直接在菲林上创作。每一格菲林的明胶都刻上黑白图案，形成节奏独特、几乎使人进入冥想状态的抽象动画，引发观者对物理学或天文领域的遐思。斑驳的白色粒子在画面舞动，时而聚集成清晰的线条，时而组成旋转般的立体结构。背景传来巴哈马和尼日利亚风格的鼓声，还有连恩‧莱的金属雕塑发出的声音；随着这些变化万千的节奏，粒子聚聚散散。

In the not-so-distant future, genetically enhanced dogs are sent across the universe in search of a new home for the human race. It’s a giant cosmic game of fetch, as the canines seek a planet that will save humanity and - more importantly - let them return to their beloved owners.

After crash-landing on an alien planet, the Robinson family fights against all odds to survive and escape. But they're surrounded by hidden dangers.

The space family Robinson is sent on a five-year mission to find a new planet to colonise. The voyage is sabotaged time and again by an inept stowaway, Dr. Zachary Smith. The family's spaceship, Jupiter II, also carries a friendly robot who endures an endless stream of abuse from Dr. Smith, but is a trusted companion of young Will Robinson